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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class="">Dans cette 44ème lettre, nous vous parlons (entre autres) <br>de récits de la terre, de frugalité et de piles de livres.</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class="">***</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><a href="https://www.grainmagazine.fr" rel="nofollow" style="color:#000 !important;"><strong>GRAIN vol.5 - Home . Foyer</strong></a><strong><br></strong></p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class="">La question du logement est au cœur de nos vies. Dans notre monde néolibéral, le droit de propriété prime sur le droit au logement. On parle de “marché de placement”, de “patrimoine” alors que c’est la fabrique même de nos vies dont il est question.<br><br>Si la terre devrait être à celles et à ceux qui la cultivent, l’habitat devrait être aux personnes qui l’habitent. “<em>La violence est de ne pas pouvoir accéder à un logement quand quelqu’un d’autre peut posséder et jouir de deux maisons pour le plaisir</em>”, écrit le collectif Droit à la ville Douarnenez, “ <em>(…) les résident·es secondaires ne sont pas des habitant·es</em>”. <br><br>Habite-t-on réellement un endroit, lorsqu’on ne l’arpente qu’à la belle saison&nbsp;? <br>Il y a un enjeu politique à poser la question du logement depuis la perspective de l’habiter (…)</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><em>Extrait de</em> Plaidoyer pour un habiter soutenable / <em>A plea for sustainable living<br></em>Mots Milo Pénicaut<em><br></em>Grain vol.5 Foyer . Home</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class="">***</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><strong>revue imprimée en France<br>maison d’édition libre<br>tirage limité</strong></p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><br>conscience. poésie. radicalité.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;text-align:center;" class="">***</p>
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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Gilles Perret, réalisateur, propose une plongée au cœur de <em><a href="https://www.youtube.com/watch?v=Wow3nB0O9SQ" rel="nofollow" style="color:#000 !important;">La ferme des Bertrand</a></em>. Le film documente plus particulièrement les années où les enfants reprennent l’établissement de leurs parents, et ce par trois fois, réparties sur 50 années. C’est donc un suivi sur plusieurs décennies et générations, avec des enjeux propres à chaque époque, et notamment la course folle à la modernisation et à la productivité. Une fresque tendre qui apporte des éléments de compréhension à l’heure où le monde agricole se mobilise. <br>Sur le même sujet, nous vous recommandons sans réserve le livre-enquête <em><a href="https://www.arthaud.fr/silence-dans-les-champs/9782080280886" rel="nofollow" style="color:#000 !important;">Silence dans les champs</a></em> - édifiant, tranchant - sur l’agriculture bretonne, écrit par Nicolas Legendre, et <a href="https://vert.eco/articles/nicolas-legendre-la-detestation-viscerale-dune-partie-du-monde-paysan-a-legard-des-ecologistes-est-entretenue-par-certains-acteurs-agro-industriels" rel="nofollow" style="color:#000 !important;">son analyse</a> chez Vert sur le rapport des agriculteurices à l’écologie, grandement influencé par les lobbies agro-industriels.</p>
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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Brutes et intemporelles, les pièces de <a href="https://www.instagram.com/jeromehirson/" rel="nofollow" style="color:#000 !important;">Jérôme Hirson</a> dégagent à la fois une aura de solidité et un sentiment d’épure. Derrière ce travail de la terre modelée, un récit du geste : les mains du céramiste, ancien ouvrier, suivaient autrefois la cadence de la chaîne. De cette vie d’avant, il garde une mémoire esthétique qui fait sortir de la terre des vases évoquant les cheminées d’usine, la création de briques… Son travail, frugal et poétique, est à découvrir jusqu’au 15 février à Paris, au cours de l’exposition <em><a href="https://www.instagram.com/p/C22miq4s2uA/?utm_source=ig_web_copy_link" rel="nofollow" style="color:#000 !important;">Gestes premiers</a></em> orchestrée par la Lune galerie.</p>
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      <p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Illustratrice engagée, autrice fine et sensible, Maureen Wingrove alias <a href="https://www.instagram.com/diglee_glittering_bitch/" rel="nofollow" style="color:#000 !important;">Diglee</a> partage en vidéo <a href="https://www.youtube.com/watch?ab_channel=Diglee&amp;v=Nvz93bxENgc" rel="nofollow" style="color:#000 !important;">ses meilleures lectures de l’année 2023</a>. Une liste de récits littéraires puissants dont elle détaille le propos et les impressions laissées en elle, ce qui nous donne franchement envie d’ajouter toutes ces recommandations à notre pile à lire de l’hiver. À noter parmi elles, <em>La civilisation du poisson rouge</em> de Bruno Patino, un essai sur l’impact terrifiant des écrans sur nos vies (qui nous donne envie de faire un grand sevrage d’Instagram). Ajoutons à cela le dernier ouvrage de Diglee elle-même, <em><a href="https://www.lavillebrule.com/catalogue/atteindre-l-aube,174" rel="nofollow" style="color:#000 !important;">Atteindre l’aube</a></em>, une lettre à sa grand-tante Georgie, qui interroge entre les lignes la place de l’amour et des figures masculines dans nos vies.</p>
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